Behind the work

I didn't set out to be an artist in the traditional sense. I set out to pay attention. To notice the light. To work with my hands. To make things that felt true.

 Photography taught me how to witness. Ceramics taught me how to trust. And both practices continue to remind me that the most meaningful work isn't about mastery, it's about showing up, again and again, with curiosity and care.

My days are a rhythm of making, tending, noticing. I'm endlessly inspired by texture, by the way things age and weather, by the stories we carry in our bodies and our hands.

This work is my offering. It's how I show love, how I make sense of things, how I stay connected to what matters.